





~ ORIGINAL PAINTINGS © 


- 





BY 


OLD MASTERS a 


FROM THE COLLECTION OF 





NEW YORK 


Bis AVENUE. AND FIFTY-NINTH STREET. NEW YORK 


ees! 











a % 





SALE NUMBER 1874 
ON FREE PUBLIC EXHIBITION FROM TUESDAY, NOVEMBER FOURTH 


ORIGINAL PAINTINGS 


BY 


OLD MASTERS 


FROM THE COLLECTION OF 


mae EARICH GALLERIES 


NEW YORK 


TO BE SOLD BY AUCTION 
WEDNESDAY EVENING, NOVEMBER TWELFTH 
AT EIGHT-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES 


| MITCHELL KENNERLEY, Present] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1924 


CONDITIONS OF SALE 


ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 

The highest bidder to be the buyer. In all cases of disputed bids the 
decision of the Auctioneer shall be final. 

Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased shall be resold immediately. 

Purchases to be removed at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder 
of the purchase money to be paid on or before delivery, in default 
of which The Anderson Galleries, Incorporated, will not be 
responsible for any loss or damage whatever, but the lot or lots will 
be left at the sole risk of the purchaser, and subject to storage 
charges. 

All lots will be placed on public exhibition before the date of sale, 
for examination by intending purchasers, and The Anderson Gal- 
leries, Incorporated, will not be responsible for the correctness of 
the description, authenticity, genuineness, or for any defect or fault 
in or concerning any lot, and make no warranty whatever, but will 
sell each lot exactly as it 1s); WITHOUT RECOURSE. 

If accounts are not paid and purchases removed within twenty-four 
hours of the conclusion of the sale, or, in the case of absent buyers, 
when bills are rendered, any sum deposited as part payment shall 
be forfeited, and The Anderson Galleries, Incorporated, reserve the 
right to resell the lot or lots by either private or public sale, without 
further notice, and if any deficiency arises from such resale it shall 
be made good by the defaulter, together with all expenses incurred. 
This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without 
such resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will 
not be responsible for any damage arising from the acts of such 
carriers and packers. 

The Anderson Galleries make no charge for executing orders for 
their customers and use all bids competitively, buying at the lowest 
price permitted by other bids. 


A Priced Copy of this Catalogue may be obtained for One Dollar 


THE ANDERSON GALLERIES, INC. 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
TELEPHONE PLAZA 9356 CATALOGUES. ON REQUEST 
SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE 


eorex Rhls iS 


PAINTING 

NUMBER 
ALKEN, H. 20 
BARRAUD, W. 19 
BEECHEY, SIR W. Tha Sea 
RELA, W: 71 
BREKELENKAM, Q. G. 47 
BRONZINO, A. 60 
CAMPI, G. 59 
CHALON, H. B. 18 
CHARDIN, J. B: S. 56 
SO rrS. i. POwe20 toe 5 3,100 
CRANACH, L. (THE YOUNGER) 62 
Ciyih J2°G. 67 
DA CANALE, G. A. (CANALETTO) 28 
DADDI, B. 35 
DANCE, N. 14 
WAS DAN TA CROCE, G. 27 
DE BAR, B. 36 
DE CRAYER, G. 74 
DE HOOGH, P. 33 
DE VOS, C. 72 
ieee ERO: 40, 41 
DOSsoL.D: 39 
CK. I: 26 
DU JARDIN, K. 4 
ENGLISH SCHOOL 65 
FRAGONARD, J. H. 50 
GARDNER, D. 16 
HARLOW, G. H. 45 
HOARE, W. 22 
HOPBPNER, J. 24 
EIT DSON, T- [24d 
Pre BRUN, ELV. 52 
PE ye eslR Pp: 8, 42 
WOO el. a2 
MAES, N. 21 
MARIESCHI, M. 5.05230 
MAZZOLA, F. (PARMIGIANINO) 37 
MORO, A. 61 
WAG DLER | sev. 57 
NETCHER® G. I 
NORVHCOTE. T. 46 
PALMEZZANO, M. 49 


PENNY, E. 3 


PAINTING 
NUMBER 


PULZONE, S$. 48 


RENIERI, N. 70 
REYNOLDS, SIR J. ei 
ROMNEY, G. 55, 64 
RUSSELL wl: 73 
SMITH) J. RR: 63 
SUSTERMAN, J. 2 
TURNER, J. M. W. 58 
VAN DER LAECK, R. 54 
VAN DE VELDE, E. 43 
VAN HONTHORST, G. 15 
VAN HUYSUM, J. 25 
VAN NOORDT, J. on 
VESTIER, A. 34 
WARD, J. 9 
VAC SS anv Lives 


ZUCCARELILI, F. 68 





INOsieE 


THE PAINTINGS INCLUDED IN THIS SALE, SELECTED 
FROM OUR LARGE COLLECTION, ARE SOLD UNDER 
THE SAME CONDITIONS AS THE PAINTINGS SOLD 
PRIVATELY IN OUR GALLERIES. OUR POLICY FOR 
THE LAST QUARTER OF A CENTURY HAS BEEN, 
THAT ALL PICTURES SOLD ARE EXCHANGEABLE 
IN OUR GALLERIES AT ANY TIME, AT THE FULL 
PURCHASE PRICE. 3 


MOST OF THESE INCLUDED IN THE SALE HAVE BEEN 
ENDORSED BY THE GREATEST LIVING EXPERTS, AND 
HAVE BEEN EXHIBITED AT VARIOUS TIMES@Giniae 
IN OUR GALLERIES, OR AS LOANS” TO) VaRiGw: 
PUBLIC INSTITUTIONS. 


THE EHRICH GALLERIES 


7O7 FIFTH AVENUESVAT 55 ties Ea 


NEW YORK 


SALE WEDNESDAY EVENING, NOVEMBER TWELFTH 


I 


AT EIGHT-FIFTEEN O'CLOCK 


NUMBERS 1-74 


GASEAR UNE ECHER 
DUTCH, 1639-1684 
PORTRAIT OF A YOUNG PRINCESS 
Walking in a park with a pet dog at her side, carrying a bird’s 
nest; in red costume with a colored plumed hat, figures at the 
right distance, warm grey and creamy sky. 


Canvas. Height, 24 inches, width, 20 inches. 


JUSTUS SUSTERMAN 
FLEMISH, 1597-1681 


PORTRAIT OF A LADY 

Bust, shoulders to the front, head slightly to the left, wide lace 
collar, with a pink rosette, dark robe, slashed sleeves, gold 
chain, neutral background. 


Canvas. Height, 2034 inches; width, 17 inches. 


EDWARD PENNY, R.A. 
ENGLISH, 1714-1791 


DAVID (GARRICK: cAIy Se EniS mG GINGER ieee eel 
Pew Ps TEA» 

Full figure, seated on a bank, holding an open book, attired in 
blue-grey coat, black knee breeches and stockings and silver 
buckled shoes; park background with fine tree groups, a temple 
and a lake. 


Canvas. Signed and dated 1756. Height, 36 inches, width, 
28 inches. 


KAREL DU JARDIN 
DUTCH, 1625-1678 
4 LANDSCAPE WITH CAITLE 
‘Three oxen, two standing and one lying in the foreground on 
a mound as the woman herder bathes her feet in a brook at the 
right; church spire in the right distance; luminous emerald- 
green and creamy sky. 


Panel. Height, 20 inches; width, 17 inches. 


MICHELE MARIESCHI 
VENETIAN, (?’)-1743 
5 VENETIAN SCENE 


The grand canal, with palaces at the right and left; the fine 
domes of the Maria della Salute rising in the distance, figures 
and gondolas about; blue sky with slight cloud effect. 


Canvas. Height, 11% inches; width, 17 inches. 


MICHELE MARIESCHI 
VENETIAN, (?)-1743 
6 ST. MARK’S SQUARE 
A multitude, cavaliers and the populace in becoming raiment, 


massed near the cathedral, with the Doge’s palace at the right; 
blue sky with slight cloud effect. 


Canvas. Height, 11% inches, width, 17 inches. 


SIR WILLIAM BEECHEY, R.A. 
ENGLISH, 1753-1839 


7, PORTRAIT OF THE DUKE OF CUMBERLAND, SON 
OF GEORGE III 
Half length, head and shoulders to the left, in bright 
vermilion uniform with gilt accoutrements and wearing a 
decoration on his breast; sky effect background. 


Canvas. Height, 30 inches, width, 25 inches. 


From the Collection of Captain Hunt, London. 
Formerly in the Collection of the Duke of Cambridge. 


SUR bP iebH Ree bla 
ENGLISH, 1618-1680 


See ORERATT OF A LADY 
Half length, head and shoulders to the left, eyes directed 
toward the spectator, her dark brown hair dropping in ringlets 
to the shoulders, with pearl ornaments and necklace, attired in 
low-cut, cream-colored satin bodice with a pale blue drapery 
over her left arm; landscape background. 


Canvas. Height, 30 inches; width, 25 inches. 


JAMES WARD, R.A. 
ENGLISH, 1769-1859 


9 WADING HORSES 
A stream with a man mounted on a spotted horse and leading 
a mare accompanied by her foal toward the water, while one 
animal is seen in the water at the left; a dog on the bank, with 
fine pollard willow and glimpse of a thatched cottage beyond; 
blue sky with grey and silvery cloud effects. 


Canvas. Signed at the lower left. Height, 18 inches, width, 
15 inches. 


FRANCIS CORHSSK A: 
ENGLISH, 1726-1770 


10 PORT RAV O haere 


I] 


T 


Half length, shoulders to the front, head slightly to the left, 
attired in low-cut white satin bodice, pearl ornaments, with a 
deep blue, ermine-lined mantle dropping from her left shoulder 
and clasped with her left hand; dark background, feigned oval. 


Canvas. Height, 29 inches; width, 24 inches. 


[ SEE ILLUSTRATION | 


FREDERICK WATERS WATTS 
ENGLISH, 1800-1870 
LANDSCAPE 
A pond in the foreground enlivened by ducks, with a couple 
of donkeys at the farther bank; a road with two figures at the 
right, wooded distance with glimpse of a cottage; blue sky with 
creamy and grey cloud effects. 


Canvas. Height, 20 inches, width, 28 inches. 


THOMAS HUDSON 
ENGLISH, 1701-1779 


PORT RATT OF sate 

Half length, head and shoulders slightly to the left, in lace cap 
with deep blue ribbon tied under the chin, attired in pale tea- 
colored gown with fichu; grey complementary background. 


Canvas. Height, 30 inches, width, 25 inches. 





PORTRAIT OF A LADY 
BY FRANCIS COTES, R.A. 


[NUMBER Io] 


4 


15 


16 


NATHANIEL DANCE, R.A. 
ENGLISH, 1734-1811 


PORTRAIT OF HENRY Glo DL MARSTON a 
COOMBE HOUSE, WARBINGHAM, SURREY 

Half length, head and shoulders slightly to the left, eyes 
directed toward the spectator, wearing brown wig arranged in 
a roll over ears, attired in* scarlet coat with silveneanem ae 
trimmings; warm neutral background, feigned oval. 


Canvas. Height, 30 inches, width, 25 inches. 


GERARD VAN HONTHORST 
DUTCH, 1590-1656 


POR ERAT © Bb Chi ARE ae! 

Bust, shoulders slightly to the left, head toward the spectator, 
long wavy brown hair, moustache and goatee, wearing wide, 
soft lace collar, floriated red costume with slashed sleeves; dark 
neutral background. 


Canvas. Height, 26 inches; width, 23 inches. 


DANIEL GARDNER 
ENGLISH, 1750-1805 


PORTRAIT OF LORD SAYE AND SELE AS A BOY 
Half length of a blond boy in red jacket and lace collar, his 
hand on the pet dog that greets him; landscape background. 


Canvas. Oval. Height, 24 inches; width, 20 inches. 


From the Collection of direct descendants. 


FREDERICK WATERS WATTS 
ENGLISH, 1800-1870 


17) NEAR ARUNDEL, SUSSEX 
Smiling countryside with a broad meadow animated by figures 
and cattle in the foreground, a stream at the left, bridge at 
middle distance with a punt near by, picturesque group of 
cottages at foot of grove which rises over an effective sky of 
creamy and purplish clouds with masses of blue. 


Canvas. Height, 25 inches, width, 34 inches. 


HENRY BERNARD CHALON 
ENGLISH, 1770-1849 


roe ie CHASE 

A party of sportsmen, some in red jackets, are galloping across 
undulating countryside following the signal from the runners- 
up at the left middle distance, where the hounds are hot on a 
trail; a cottage near the middle foreground, a mill casts its arms 
over the sky at the left distance, and a village nestles at the foot 
of the bare hills near the horizon. Pink and grey cloud effects 
with touches of blue. 


Canvas. Height, 24 inches, width, 33 inches. 
From the Collection of H. Bare. 





THE HUNT 
BY WILLIAM BARRAUD 


[NUMBER 19 | 


WILLIAM BARRAUD> 
ENGLISH, 1810-1850 


LOee itt Eh Nels 


In the foreground are three sportsmen mounted on fine steeds, 
with a pack of eager hounds, gentlemen and horses at the left 
distance; a lodge in the middle ground, with fine tree groups. 


Canvas. Height, 22 inches, width, 26 inches. 


[ SEE ILLUSTRATION | 


20 


Pa | 


a 


HENRY ALKEN 
ENGLISH, 1784-1851 


SET OF FOUR SPORTING SCENES 

Representing a fox hunt: “The Find”, “Gone Away”, “Full 
Cry”, and “The Death”; showing the sportsmen on spirited 
horses, accompanied by the hounds, dashing across field and 
meadow. 


Panel. All signed at the lower left. Height of each, 7 inches; 
width, 10 inches. 


NICOLAS MAES 
DUTCH, 1632-1693 


PORTRAIT OF A LADY 

‘Three-quarter length, standing, facing the spectator; distin- 
guished mien, curly silvery hair, pearl necklace, eardrops and 
brooch; attired in low-cut white satin gown with old-gold 
trimming, holding a blue drapery with her right hand and skirt 
with her left; column with urn and foliage in background. 


Canvas. Signed and dated 1672 at the lower left. Height, 
52 inches; width, 40 inches. 


WILLIAM HOARE, R.A. 
ENGLISH, 1706-1792 


PORTRAIT OF A GENTLEMAN 

Three-quarter length, seated, his left arm akimbo, his right 
resting on a table whereon documents are seen, head and 
shoulders slightly to the left, eyes directed toward the spectator, 
attired in steel-grey costume with heavy gilt trimmings, wearing 
a full wig; high-backed blue chair, simple background. 


Canvas. Height, 53 inches; width, 42 inches. 


23 


JAN VAN NOORDT 
DUTCH, ABOUT 1620-1660 


TEE POLY Sr ay iang 

In a park on rising ground, Mary the Mother is seated, the 
nude Infant on her knee, as two children offer fruit at the right 
and the young St. John is in attendance at the left. In a land- 
scape setting with fine tree groups and a pale blue-green sky. 


Canvas. Signed and dated 1645. Height, 49 inches; width, 


42 inches. 


JOHN HOPPN RRS 
ENGLISH, 1758-1810 


24 PORTRAIT OF MISSsRODEN 


Half length, head and shoulders slightly to the right, eyes 
directed toward the spectator, powdered hair descending in 
curls, pearl necklace, white lawn gown with turquoise band at 
waist and in hair; complementary background. 


Canvas. Oval. Height, 30 inches; width, 25 inches. 


JAN VAN HUYSUM 
DUTCH, 1682-1749 


o¢ FLOWERS a 


A galaxy of beautiful flowers arranged in a bronze urn in 
nice relief from a chocolate-tinted background. 


Canvas. Height, 62 inches, width, 45 inches. 


26 


27 


JACOB DUCK 
DUTCH, 1600(?)-1660 


THE MOUNTEBANK 

A group of peasants and a fishwoman are making merry at an 
individual in the centre, while a cavalier and a lady as well 
as a scissors grinder and others have also paused at the right; 
tavern at the back, quaint Dutch street at the right distance; 
blue and cloudy sky. 


Panel. Signed at the lower right. Height, 18 inches; width, 
27 inches. 


From the Boucher-Cleeve and Thomas Cooke Collections. 


GIROLAMO DA SANTA CROCE 
VENETIAN, 1480-1556 


ST. NICHOLAS DU BARRY 

Nearly full-length standing figure, facing slightly to the left, 
of the Christmas Patron, in beautifully ornamented vestment, 
holding a magnificent crosier with his left hand and the gospel 
with the right; landscape background. 


Panel. Height, 45% inches, width, 21% inches. 


GIOVANNI ANTONIO DA CANALE (CANALETTO) 


28 


VENETIAN, 1697-1768 
ST. MARK’S SQUARE 
View taken from in front of the Basilica, showing the base of 
the old Campanile at the left, numerous booths wherein goods 
are displayed, with prelates, orientals and the usual populace 
about; blue sky with cloud effects. 


Canvas. Height, 29 inches, width, 45 inches. 


29 


30 


31 


FRANCIS COTES, R.A. 
ENGLISH, 1726-1770 


PORTRAIT OF A LADY 

Bust, with head and shoulders to the left, wearing white gold 
embroidered fichu draped over the head, white lawn neckcloth 
and blue gown with gilt trimmings; complementary back- 
ground with feigned oval. 


Canvas. Height, 30 inches; width, 25 inches. 


M. MARIESCHI 
VENETIAN, 1690-1743 


VENETIAN SCENE | 

View from the Piazetta showing the embankment, the column 
of St. Theodore and palaces with numerous figures and gon- 
dolas in the foreground, with the custom house and the church 
of Maria della Salute at the left distance. Blue sky with cloud 
effects. 


Canvas. Height, 28 inches; width, 44 inches. 


SIR JOSHUA REYNOLDS 
ENGLISH, 1723-1792 


PORTRATT OF ARCHIBALD BOW EK 

Half length, shoulders to the front, head slightly to the left, 
in grey curly wig, white neckerchief, drab velvet jacket, hold- 
ing a large red bound volume with his right hand, lace at the 
wrists. Dark background. 


Canvas. Height, 30 inches; width, 25 inches. 


Bower sat to Reynolds in February, 1757, and in June, 1758; 
this picture was paid for before 1760 by Lord Carysfort. 
Mentioned in the following: 

Leslie & Taylor, “Reynolds”, 1365. Volo 1) paceman 
Graves & Cronin, “Works of Reynolds”, 1889. Vol. I, page 106. 
Walter Armstrong, “Sir Joshua Reynolds”, 1900. Page 195. 
O’ Eyeing) s “Engraved British Portraits in British Mu- 
Seums')) Voludipagcezzo: 

Bapeed by Bane and Josey. 

Exhibited at the National Portrait Exhibition, 1867, No. 382. 


[ SEE ILLUSTRATION | 





ARCHIBALD BOWER 
BY SIR JOSHUA REYNOLDS, P.R.A. 


[ NUMBER 31 ] | 


32 


LORENZO LOTTO 
VENETIAN, 1480-1556 
PORTRAIT OF A COUNCILOR 


Half length, at full front, bearded, wearing a cap, in brownish- 
black garment edged with white fur, holding a glove in his 
right hand, while the gloved left hand is placed across the 
chest; light grey background. 


Canvas. Height, 29 inches, width, 27 inches, 


About 1854 in the Collection of the Duke of Devonshire and 
seen by Waagen (Art Treasures, Vol. III), who first made this 
attribution, 

Collection of Count Goloubew, Paris. 

Mentioned in Graves’ Summary of Waagen, page 112. 
Exhibited in the Loan Exhibition of Italian Primitives at the 
Kleinberger Galleries in November, 1917, 


[SEE ILLUSTRATION | 








PORTRAIT OF A COUNCILOR 
BY LORENZO LOTTO 


[ NUMBER 32] 


PIETER DE HOOGH 
DUTCH, 1630-1677 


323. INTERIOR WITH A LADY ATA SPINED 
Seated, looking over the right shoulder as she plays, in cream- 
colored gown with pink drapery; red-backed chair, a pet mon- 


key in the foreground, light from a large double window at the 
lett: 


Canvas. Height, 14 inches, width, 11 inches. 


Opinion of Dr. Hofstede de Groot: “believes this picture to 
be a genuine work of Pieter de Hoogh and will catalogue it in 
his Supplement to his book on the works of this master.” 

A certificate accompanies this painting. 


[ SEE ILLUSTRATION | 





A LADY AT A SPINET 
BY PIETER DE HOOGH 


[ NUMBER 33) 


ANTOINE VESTIER 
FRENCH, 1740-1824 


24 \POR-PRATT OR THR ARTI Sis DAWG EEE. 
Half length, head and shoulders to the front, of a pretty young 
woman with luxuriant brown hair down to her shoulders, at- 
tired in lemon-colored gown with a green drapery thrown over 
her left shoulder, holding a palette and brush; dark back- 
ground. 
Canvas. Height, 22 inches, width, 18 inches. 


From the Magnan Collection of Nancy. 


[SEE ILLUSTRATION | 





PORTRAIT OF THE ARTIST’S DAUGHTER 
BY ANTOINE VESTIER 


[ NUMBER 34 | 


35 


36 


oy 


BERNARDO DADDI 
FLORENTINE, ACTIVE 1310-1350 


MADONNA, CHILD AND SAINTS 

The Virgin enthroned holds the Infant Saviour, while the 
Saints are arranged at the sides, St. James with a scroll and 
St. Paul with a sword at the left, St. Peter with a key and 
St. John holding a book and a staff at the right. Gold back- 
ground with tooled halos. 


Panel. Height, 12 inches; width, 8 inches. In plush-lined 
frame. height, 22 inches; width, 18 inches. 

“T regard this charming panel especially associated with the 
artist's large polyptych in the Accademia at Florence’—— 
Tancred Borenius. 

A certificate accompanies this panel. 


[SEE ILLUSTRATION | 


BONAVENTURE DE BAR 
FRENCH, 1700-1729 
FETE CHANMEPE TRE 
Various groups of ladies and cavaliers about on the green sward 
in the foreground, a fountain at the left with fine masses of 
trees, a lake in the distance with a glimpse of a town; blue sky 
with creamy cloud effect. 


Canvas. Height, 34. inches; width, 44 inches. 


FRANCESCO MAZZOLA (PARMIGIANINO) 
ITALIAN, 1503-1540 
PORTRAIT OF A MAN 
Half length, shoulders to the left, head turned toward the 
spectator, in black hat and light grey costume, his right hand 
placed across the chest; dark background. 


Panel. Height, 25 inches, width, 20 inches. 





» CHILD AND SAINTS 
BY BERNARDO DADDI 


MADONNA 


[ NUMBER 35 | 


38 


FRANCIS COTES, R.A, 
ENGLISH, 1726-1770 
PORTRAIT OF MASTER WILLIAM MARSHALL 
Half length, standing at three-quarters to the left, in green 
costume with lace collar and cuffs, leaning against a rustic 
fence, holding a stick in his left hand; tree group at the left 
background, grey, purple and ivory-tinted sky. 


Canvas, Hetght, 31 inches; width, 26 inches. 


[ SEE ILLUSTRATION | 


DOSSO DOSSI 
ITALIAN, 1479-1541 


39 PORTRAIT OF A WARRIOR 


Half length, of a rugged personage, clad in armor at full front, 
facing the spectator as he holds a spear; complementary back- 
ground. 


Canvas. Height, 31 inches, width, 25 inches. 


Reproduced in Rassegna d’Arte, June, 1915, pacemienesame 
described by F. Mason Perkins. 
From the Collection of Marchesa Malaspina di Riggio Emilia. 





PORTRAIT OF MASTER WILLIAM MARSHALL 
BY FRANCIS COTES, R.A. 


[ NUMBER 38 ] 


40 


AI 


42 


SANO DI PIETRO 
SIENESE, 1406-1481 


SAINT BENEDICT 


Standing figure in black vestments, holding a palm leaf and a 
red book with inset of the Madonna at the top; gold back- 
ground with tooled halo. 


Panel. Height, 47 inches, width, 16 inches. 


“Characteristically and unmistakably by Sano di Pietro.”— 
‘Tancred Borenius. 
A certificate accompanies this painting. 


[ SEE ILLUSTRATION | 


SANO DI PIETRO 
SIENESE, 1406-1481 


SAINT AUGUSTINE 

Standing, attired in red and white vestments trimmed with 
gold, wearing the mitre, holding the pastoral staff and book of 
the gospel; gold background with tooled halo. 


Panel. Height, 47 inches; width, 16 inches. 


“Characteristically and unmistakably by Sano di Pietro.’— 
Tancred Borenius. 


[SEE ILLUSTRATION | 


SIR PETER GEEY 
ENGLISH, 1618-1680 


PORTRAIT OF SIR WILLIAM LEMAN 

Bust, shoulders toward the left, head turned to the spectator, 
in long curly blond wig descending to the shoulders, pale blue- 
green lace collar and old-gold drapery; feigned oval with 
painted laurel leaves. 


Canvas. Height, 30 inches, width, 25 inches. 


Member of Parliament for Hertford. He married Mary, 
daughter of Sir Lewis Mansell, Bart. Died in 1701. 





‘SAINT AUGUSTINE SAINT BENEDICT 
BY SANO DI PIETRO BY SANO DIP FIETRO 


[NUMBER 4I [NUMBER 40] 


43 


44 


45 


ESTAS VAN DE VELDE 
DUTCH, 1590-1652 


LANDSCAPE-WLEH PIGURES 

Rocky countryside with a road in the foreground where a way- 
farer is being held up by brigands, a bridge over a stream at 
the right with ruins in the middle distance; pale blue and 
lemon-tinted sky animated with birds. 


Cradled panel. Signed at the lower left centre. Height, 
24 inches, width, 35 inches. 


THOMAS HUDSON 
ENGLISH, 1701-1779 


PORTRAIT OF A GENTLEMAN 

Three-quarter length, standing, at full front, his left arm akim- 
bo, the right resting on a parapet, attired in rich cherry-red 
velvet costume, grey wig arranged in rolls over the ears; a large 
Renaissance marble vase at the right, a column at the left with 
touches of foliage against a deep blue sky with fleeting cloud 
effects. 

Canvas. Height, 55 inches; width, 37 inches. 


GEORGE HENRY HARLOW 
ENGLISH, 1787-1819 


PORT RATT. © Pease coe 

Half length, seated, shoulders to the front, head slightly to the 
left, black hair dressed in ringlets, low-cut, deep green garment 
with fur-lined cloak thrown over her right shoulder; landscape 
background. | 

Canvas. Height, 46 inches; width, 28 inches. 


[ SEE ILLUSTRATION | 





PORTRAIT OF A LADY 
BY GEORGE HENRY HARLOW 


[ NUMBER 45 | 


46 


48 


a9 


JAMES NORTHCOTE, R.A. 
ENGLISH, 1746-1831 

PORTRAIT. OF MASTER WILLIAM HENRY Was 
BET Y EAB TANG ANT) ass) 
Half length, standing, of a curly blond boy, in white collar, his 
right hand tucked into coat pocket; landscape background, 
drapery unfinished. 
Canvas. Height, 24 inches, width, 20 inches. 


QUIRINGH GERRITZ BREKELENKAM 
DUTCH, 1620-1668 


KIT OE ENAW iE Gir iG hale 

The good housewife in plum-colored coat, white apron and red 
skirt, is seated preparing vegetables as a maid in brown, blue 
and white garments at the right submits a fish steak from a 
metal bucket; fine interior with objects of still life. 

Canvas. Height, 24 inches, width, 20 inches. 


SCIPIO PULEZONE 
ITALIAN, 1550-1600 


PORTRAIT OF CARD TNGiles helG ae 

Bust, shoulders to the front, head slightly to the left, eyes 
directed toward the spectator, with long white beard, attired in 
rose gown, cape and beretta and white collar; neutral back- 
ground. 

Canvas. Signed and dated 1569 at the right and inscribed at 
the bottom, “Io: Ricclus CARD POLITIANUS”’. Height, 26 
inches, width, 20 inches. 


MARCO PALMEZZANO 
UMBRO-ROMAGNOL, 1456-AFTER 1543 
pb CEC Tain 
Seated on a parapet, the saint, attired in old-gold and deep 
green garments, is playing a viol as she faces the spectator; a 
column is at the back with blue curtains surrounding the com- 
position. | 
Cradled panel. Height, 36 inches; width, 26 inches. 
[ SEE ILLUSTRATION | 





Se Cooley 
| BY MARCO PALMEZZANO 


[ NUMBER 4g | 


JEAN HONORE FRAGONARD 
FRENCH, 1732-1806 


cto HEAD ORBAN A POSTER 


SI 


§2 


Looking upward toward the left, with silvery locks and beard, 
a tan-colored drapery thrown over his right shoulder; warm 
neutral background. 


Canvas. Height, 17 inches, width, 14 inches. 
Ga Hf J y) 


From the Collection of Mme. Loisif of Tours. 


SIR: WILLIAM BEECH EY shes: 
ENGLISH, 1753-1839 
PORTRAIT OF CAPTAIN WILLIAM WHits 
Half length, shoulders to the front, facing the left; striking 
mien, in black military coat with gilt trimmings, black braided 
mantle, fur-lined, thrown over his left shoulder, a red sash at 
the waist, hilt of sword appearing over right arm;¢sky back- 
ground. : 


Canvas. Height, 30 inches, width, 25 inches. 


ELIZABETH LOUISE VIGEE LE BRUN 
FRENCH, 1755-1842 


PORTRAIT OF THE COUN LESSih iN 

Bust, head and shoulders slightly to the left, eyes toward the 
spectator; rich wavy chestnut hair, lace headdress, low-cut 
white garment with pale blue sash, green background. 


Canvas. Oval. Height, 30 inches, width, 24. inches. 


Wife of the Austrian Ambassador at the court of Louis XVI. 
Described in W. H. Helm’s book on Mme. Le Brun, one of the 
most prominent women of her day. (See Appendix, page 202) 


[SEE ILLUSTRATION ] 





PORTRAIT OF THE COUNTESS KINSKI 
BY ELIZABETH LOUISE VIGEE LE BRUN 


[NUMBER 52] 


53 


54 


55 


FRANCIS:C@ (ES ReA- 
ENGLISH, 1725-1770 


PORTRAIT” OF ROBERT ROWE ESO. OF =Fiaiie 
LAWN, HAMPTON COURT 

Half length, standing, shoulders to the front, head toward the 
right, in powdered wig, white neckerchief and deep blue coat 
and waistcoat, lace at the wrists, hand tucked into waistcoat, 
holding a soft hat under his left arm; indications of a wall in 


the background. 


Canvas. Height, 36 inches, width, 28 inches. 


REYNIER VAN DER LAECK 
DUTCH, FLOURISHED 1637-1658 


TRIPTYCH—MADONNA, CHILD AND SAINTS 

The Virgin and Child seated under a tree, a great variety of 
birds, flowers and insects all charmingly executed animating 
the composition in the centre panel. A female saint on the left 
wing and John the Baptist on the right wing. ‘Iwo female 
saints decorate the reverse of the wings. 


Signed and dated 1640 on the lower left of the right wing. 
Height, open, 12 inches, width, 18 inches. Closed: width, 
9 inches. 


GEORGE ROMNEY 
ENGLISH, 1734-1802 


PORTRAIT OF MR. CROSS OF CLIFTON, BRISTOL 
Half length, head and shoulders to the left, eyes directed toward 
the spectator, in powdered wig arranged in rolls over the ear, 
white neckerchief, green waistcoat and deep plum-colored coat; 
a column and tree trunk in the background, with sky effect at 
thegietr 


Canvas. Height, 30 inches; width, 25 inches. 


©pinion ofeW eRGberts sere the portrait of which this is a 
photograph is a very fine and dignified portrait by Romney, 
dating from about i7oaneae 
A certificate accompanies this painting. 


[SEE ILLUSTRATION | 





PORTRAIT OF MR. CROSS OF CLIFTON, BRISTOL 
BY GEORGE ROMNEY 


NUMBER 55 | 





STILL LIFE 
BY JEAN BAPTISTE SIMON CHARDIN 


[ NUMBER 56] 


JEAN BAPTISTE SIMON CHARDIN 
FRENCH, 1699-1779 


STILL LIFE 

A leg of mutton, an earthen bowl containing poached eggs, 
some leeks, carrots and other vegetables, a steaming copper 
cauldron, all in nice arrangement on a table partly covered 
with drapery. 

Canvas. Signed at the lower left centre. Height, 32 inches; 
width, 36 inches. 


Exhibited at the Chardin-Fragonard Exposition, Paris, June, 
LOO7 ING OG, 
SEE ILLUSTRATION | 





PORTRAIT GROUP, DUCHESSE DE CHATEAUROUX AND 
COMTESSE DE FLOVACOURT 
BY JEAN MARC NATTIER 


[NUMBER 57 | 


JEAN MARC NATTIER 
FRENCH, 1685-1766 


EORTRAIT GROUPS DUG ESS tae D EG Lik tae 
ROUX AND COMTESSE DE FLOVACOURT 
Represented as mythological goddesses reclining on a bank of 
clouds, while an angel is asleep at the right distance; the former 
in white and blue draperies, a bright star appearing over her 
head, as she holds a wreath; the latter is garbed in red and 
white. 

Canvas. Height, 29 inches; width, 36 inches. 

Prom,the Collection of Miede Gohizic Ghateaucde @uhuzac 
near Toulouse. 


NJ] 


[SEE ILLUSTRATION | 


Cn 


JOSEPH MALLORD WILLIAM TURNER, R.A. 
ENGLISH, 1775-1851 


THE PORT OF LONDON 

A group of vessels, mostly with brown weatherbeaten sails 
unfurled, among which small boats animated by figures glide 
back and forth, dominates the right foreground, while a quaint 
steam craft and a dark-sailed vessel are in relief from a mass 
of bright sails fluttering in the sunlight at the left distance. 
Silhouette of the city at the horizon, with an effective sky of 
grey masses of clouds against pale blue with touches of pink 
and lemon-yellow. 


Canvas. Height, 26 inches; width, 30 inches. 


From the Collection of S. Deighton of Kingsland, who bought 
it from the London dealer Roberts, who had it from G. Fenton 
of Savile Row, to whom Turner gave it. 

Sir Walter Armstrong wrote: “It is a very strong and successful 
sketch in extremely good condition.” 

‘A most interesting and brilliant sketch in oils.”—-W. Roberts. 
A certificate accompanies this painting. 


[SEE ILLUSTRATION | 





THE PORT OF LONDON 


[NUMBER 58 | 


GIULIO CAMPI 
ITALIAN, 1500-1572 


59 PORFRATI OFA GEN TOE MAN 

Half length, head and shoulders slightly to the left, eyes 
directed toward the spectator, bearded, middle-aged, wearing 
red cap, black jacket with red, purple and yellow slashed 
sleeves, and floriated lace collar and cuffs; his right hand placed 
across the chest and the gloved left holding the right glove. 
Green background with a vista through the window at the left 
of a characteristic landscape, showing a castle, blue mountain 
range, dog and figures. 


Panel. Height, 28 inches; width, 24 inches. 
Collection of Sir Wm. Farrar and Mr. T. Humphry Ward. 


[ SEE ILLUSTRATION | 





PORTRAIT OF A GENTLEMAN 
bY GLUEIOCCAN EE! 


[NUMBER 59 | 


60 


ANGIOLO BRONZINO 
ITALIAN, 1502-1572 
PORTRAIT. OF. CAMILLA MARIA DE Nii 
SECOND WIFE OF-COsIMOd 
Half length, head and shoulders to the left, eyes directed toward 
the spectator, of a pretty dark-complexioned lady with a pearl 
and jeweled band in her curly brown hair, pearl eardrops and 
necklace, deep crimson bodice with open lace collar, high in 
the back, and white sleeves with gilt embroidery, wearing heavy 
gold chain; grey-green background. 


Cradled panel. Height, 30 inches, width, 22 inches. 


[SEE ILLUSTRATION | 


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PORTRAIT OF CAMILLA MARIA DE’ MEDICI 


BY ANGIOLO BRONZINO 


MBER 60] 


7 
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[NU 


61 


ANTONIO MORO 
DUTCH Sereno 


PORTRAIT OF A NOBLEMAN 

Three-quarter length to the front, his right hand on the edge of 
a table, the left arm akimbo, in high-collared, black velvet 
brocade costume, with white lace showing at the neck and cuffs, 
an ornate hilt of a weapon at the belt; neutral background. 


Canvas. Dated 1564. Height, 41 inches, width, 21 inches. 


“An authentic and characteristic work by Moro.”’—Dr. Hof- 
stede de Groot. 

From the Collection of Spinola of Novi, near Genoa. 

A certificate accompanies this painting. 


[ SEE ILLUSTRATION | 





PORTRAIT OF A NOBLEMAN 
BY ANTONIO MORO 


MBER 61 | 





NU 


62 


LUCAS: CRANACH THE YOUNGER 
GERMAN, 1515-1586 


PORTRAITS © Ee Asipe Dey: 

Half length, standing, head and shoulders to the left, in fur- 
lined head covering, black gown with wide brown fur collar, 
slashed black and silver sleeves, an undergarment of fine pleated 
linen with old-gold neckband, double gold chain, hands folded ; 
blue background. 


Cradled panel. Height, 24% inches, width, 16% inches. 


Opinion of Dr. Max Friedlander: ‘This woman’s portrait I 
consider to be a characteristic work of Lucas Cranach the 
Younger.’’ | 

A certificate accompanies this painting. 


[ SEE ILLUSTRATION ] 





PORTRAIT OF A LADY 
BY LUCAS CRANACH THE YOUNGER 


NUMBER 62] 


63 


64 


65 


JOHNS RAPHAEIG SMILE 
ENGLISH, 1752-1812 


PORTRAIT OF SIR ROBERT WIGRKAM 

Three-quarter length, seated, head and shoulders slightly to the 
left, eyes directed toward the spectator, in dark chocolate- 
colored coat with white neckwear and waistcoat; a table at the 
right with writing material and books; red curtain background, 
with window at the left showing a full-rigged ship in the 
distance. 


Canvas. Height, 50 inches, width, ao inches. 


GEORGE ROMNEY 
ENGLISH, 1734-1802 


LADY HAMILTON, STUDY 
Half length, nude, sitting with her right arm over her head as 
she looks at the spectator; dark background. | 


Canvas. Height, 24 inches; width, 21 inches. 


Opinion of W. Roberts: ‘This is undoubtedly a very interest- 
ing study of the nude by George Romney,—one of the very few 
which, with him, got beyond the crayon stage.” 

A certificate accompanies this painting. 


[ SEE ILLUSTRATION | 


ENGLISH SCHOOL 
ISTH CENTURY 

PORURATE OF Aeiz wx 

Three-quarter length, seated, slightly to the left, of a young 
lady with chestnut hair, in white lawn dress, her gloved right 
hand holding the other glove, her left hand grasping the strea- 
mers of an orange-colored sash; background composed of dense 
foliage, with a glimpse of warm sky at the left horizon. 


Canvas. Height, 50 inches, width, 40 inches. 


From the Collection of B. Newgass, late of Shernfold Park, 
near lunbridge Wells. 





STUDY OF LADY HAMILTON 
BY GEORGE ROMNEY 


[NUMBER 64 | 


66 


FRANCIS COTES, R.A. 
ENGLISH, 1725-1770 


PORTRAIT GROUP, MR. AND MRS. JOAH BATES 
The lady is shown at the left, attired in white satin with gilt 
trimming and blue bows, her left hand supporting her chin, as 
she looks toward the spectator, while the gentleman, seated, in 
plum-colored costume, examines a winged cupid in marble; 
gereen-grey interior with pale wine-colored curtains at the left, 
a table with books and a sculptured figure at the right. 


Canvas. Signed and dated 1760 in the background at the right. 
Height, 52 inches, width, 62 inches. 


Mr. Bates was a distinguished amateur and notable singer, of 
whom an interesting biographical sketch appeared in ‘“The 
Musical Times,” January and February Ist, 1905. He always 
championed the works of Handel and conducted the “King’s 
Concerts” during the reign of George III. 

Mentioned on page 338 in Bryan’s Dictionary of Painters and 
Engravers, Vol. I. 

A biographical sketch accompanies this painting. 


[ SEE ILLUSTRATION | 





PORTRAIT GROUP OF MR. AND MRS. JOAH BATES 
BY FRANGIS: COTES RA: 


[ NUMBER 66] 


JACOB GERRIVA CUxy 
DUTCH, 1594-1651 


67 ~ POR VRAD OR Agony) 
Half length, standing, facing slightly to the left, in quaint head- 
dress, white ruff, black gown, lace cuffs, hands crossed, holding 
a pair of cream-colored gloves; green background. 


Cradled panel. Height, 36 inches, width, 28 inches. 
Endorsed by Dr. Max Friedlander. 


A certificate accompanies this painting. 


[ SEE ILLUSTRATION | 


FRANCESCO ZUCCARELLI, R.A. 
ENGLISH, 1702-1788 


68 ITALIAN LANDSCAPE WITH RUINS 
Remains of an ancient peristyle and obelisk on the banks of 
a river, fine tree group at the left, guards in colorful costume 
in the foreground; blue sky with fleeting cloud effects. 


Canvas. Height, 32 inches, width, 58 inches. 





PORTRAIT: OFA LADY 
BY JACOB GERRITZ CUYP 


[ NUMBER 67] 


69 


FREDERICK WATERS WATTS 
ENGLISH, 1800-1870 


VIEW OF DENHAM 

Smiling countryside with a stream and ducks at the right, a 
boat drawn up on the shore at the left, a lock at middle distance 
where a teamster and his horses are seen, a barge at the right, 
and thatched cottage nestling under a fine group of trees farther 
back, a village with a church spire looming up near the left 
horizon. Fleeting sky of grey and creamy clouds with masses 
of blue. 


Canvas. Signed at the lower left. Height, 32 inches; width, 
SOM CHES 


[ SEE ILLUSTRATION | 


NICCOLO RENIERI 
FRENCH, ACTIVE, 17TH CENTURY 


PORTRATT OF A VENETIAN OFBIGER 

Full length, standing to the front, in long black wig, with red 
fan-shaped head gear, in rich crimson costume with long robe 
thrown over shoulders, lace neckwear and at the wrists, his left 
arm akimbo, holding a marshal’s baton in the right; old-gold 
cover on table at the left against a wine-colored brocade cur- 
tain background; glimpse of landscape with fortress and gun 
carriage. 


Canvas. Height, 84 inches; width, 62 inches. 


Renieri (Regnier of Maubeuge) is represented in the old Pin- 
akothek, Munich, and his works generally pass for those of 
Van Dyck’s Genoese period. 

From the Collection of Count Gradenigo, Venice. 





VIEW OF DENHAM 
BY FREDERICK WATERS WATTS 


[ NUMBER 69 ] 


Jie 


WILLIAM BELL 
ENGLISH, 1740-1804 (?) 

POR TRATIZOGROURE 

A young lady is seated at the left attired in green and white, 
holding by a pink ribbon a lamb, to which she offers some pink 
buds; a younger sister in white and pink sash is at the right; 
park background with a stream and waterfall, and a swan near 
the shore; blue sky with creamy cloud effects. 


Canvas. Signed and dated 1785 at lower left. Height, 
51 inches, width, 59 inches. 


CORNEDI GS DEaY OS 
FLEMISH, 1585-1651 


THE HOLY FAMILY AND Ss FahOriN 

The Virgin in blue and red garments is seated holding the nude 
Infant as the latter caresses the lamb held by St. John, while 
Joseph leans forward at the back as he rests his left hand on a 
red-covered table whereon some fruit is placed; columns with 
a canopy at the back, with a glimpse of landscape in the 
distance. , 


Canvas. Signed at the lower right. Height, 52 inches; 
width, O61 inches. 


es 


74 


JOHN RUSSELL, R.A. 
ENGLISH, 1744-1806 


MoO Rei Lie GROUR SE MRS. Ris CaP LO VV ID BIN- AND 
CHILDREN 

The mother, a stately lady, stands at the left holding the hand 
of a little daughter at her side, while an elder and a younger 
daughter are grouped at the right, one of whom holds a fan; 
all are wearing fine beaded and gold East Indian necklaces 
and light garments, while a native in white headdress and 
flowing garment holds a spear at the right in the back. Pale 
emerald sky. 


Canvas. Signed and dated 1797 at the lower left. Hetght, 
94 inches, width, 56 inches. 


Exhibited in the Royal Academy, in 1797. See Graves’ “Royal 
peademy Exhibitors’, Vol. VI, page 2903; No, 46. 


(GAS AR IDs DG Ra are: 
FLEMISH, 1582-1669 


PORTRATYT OF THE -CARDINAESIN FAN Terr Die 
INSAND OF SPATNSSON: Gee erie tice ities 

Full length, standing, in red cape and robe with white lace 
vestment, holding a letter in his left hand, the right placed on 
the edge of a gold brocade-covered table, whereon his red 
beretta is seen; saffron brocade curtain at the right back- 
ground, with landscape view at the left. 


Canvas. Height, 78 inches, width, 47 inches. 








